The Year of Creativity

I have dubbed 2014 the year of creativity. I’m taking a self-imposed hiatus from expectations and obligations with regard to all of my creative endeavors. I’ve been struggling for quite some time with an overloaded schedule. Combine that pesky little beast with overblown expectations and you have a recipe for anti-creativity.

Assignment 1

Lesson 1, Week 1

I need a little time to think.

The Don gave me an absolutely lovely birthday present. Lifebook 2014 is a year-long art course, but really it’s so much more than just a course. Each week you are taken through a different lesson. There are loads of instructors and a variety of approaches, materials, and groups which provide encouragement & feedback.

LB2014 warm-up 001

Warm-up, Week 1

We’re only four weeks in, but I’m already seeing such a wonderful impact on MY art. I’ve learned new techniques that I wouldn’t have tried myself and expanded my ideas in so many ways. And while the lessons are fabulous, I find that I immediately want to hop over to my current work-in-progress and apply my new knowledge.


Lesson, Week 4

I’m having a blast and my studio is a wreck. Woo hoo!


Because of Lifebook, I’m currently having a love affair with watercolor pencils and crayons. Especially the crayons. They are creamy. They blend and layer so beautifully.


At the end of the year, you can bind all the projects together in a book which will serve as a roadmap and reminder of methods, materials, and techniques.

Here’s my current WIP. She’s on a 24×24″ cradled board, and has lots of delicious texture. Her hair was just waaaaay too purple, so I’ve gessoed over to mute it. Always a surprise! Those stars were applied with thick gesso and are raised from the surface of the painting. Can’t wait to see them after I’ve painted more.

purple hair 001
But enough about my art. A recent featured artist at Ink & Alchemy was Jane Davies. I can’t get enough of her work, especially the encaustic. Here are a few pieces to whet your appetite. Pop over to her website for more of her incredible art.
As a reminder, with the new year, I have morphed More Ink into a sort of catch-all for creative wonderfulness. Feel free to stop by and share your work with us or post useful and inspiring links. We’re all in this together so let’s help spread the beauty of lit and art far and wide.
I’ve also instituted a new way of featuring artists and writers. Each month on the pages which list featured writers or artists, a number of people will be featured for the entire month. If you’re chosen, you’ll receive notification so you can brag about it all you like. 🙂
The artist features began in January and will change in a few days when the month changes. The writer features will begin for the first time on the first of February.
Have a great week, everyone! I feel creativity bubbling up and I must sign-off to answer that very important call.

Stupid questions to ask self-published authors

“Did you use a real publisher?”

“Is it a real book?”

I’ve heard these questions and other similar queries many times, and not just from those dissociated with the writing and publishing industries. What kinds of people ask these questions? Traditionally published authors. Struggling writers. Non-writers. Friends and family. The guy at the bus stop. Basically anyone.

This is rude and thoughtless. It’s akin to walking up to a set of new parents, gurgling baby in arms and asking, “Can you trade it for a real one?” “Will it get any cuter?” Inherent in those questions and especially in the particular phrasing which uses the word real is the assertion that a self-published book isn’t valid. Dead wrong.

Self-publishing is a perfectly acceptable way to get your book into print. It’s quick and inexpensive. What it isn’t, however, is easy. It still requires the same hard work. You still need to write on your lunch hour and burn the midnight oil. You still need to write, write, and thump on that manuscript until it doesn’t make you want to choke with embarrassment. Then, you need to find a trusted cadre of readers brave enough to give you true and harsh feedback. Rewrite again. Find an editor. Rewrite again. Proof that sucker multiple times.

The process of writing hasn’t changed a bit.  It’s still really hard to do it well and terribly difficult to find success. The good writing will hopefully get noticed and the bad writing will sink to the bottom. Note that this  is just a general rule and isn’t necessary true in all cases – see  The Cuckoo’s Calling and 50 Shades of Grey.

You finally drag your tired carcass across the finish line with this raggedy-ass manuscript in hand and guess what? More work and lots of it. You either need to hire someone to design your cover or get very familiar with GIMP or Photoshop. You need to navigate the idiosyncrasies of .mobi files versus .epub. You must slay the dreaded auto-indent that lives in KDP-land.

I’m not saying that every self-published book out there is a sparkling, beautiful gem, just waiting to be discovered. Sub-standard work exists and the fact that anyone can publish pretty much anything they want means that the publishing world has drastically changed. We need to change with it. We need to accept and understand the new paradigm and begin to strengthen it.

What I’m saying is a self-published book doesn’t suck simply by virtue of being self-published. It very well might be poorly written and ill-imagined, but you must read it before you make that determination.

Self-publishing isn’t new, it’s e-publishing that’s new. Proust paid his own bill in order to get Swann’s Way published . Many familiar authors such as Walt Whitman, Edgar Allen Poe, Benjamin Franklin,  and Edgar Rice Burroughs (among countless others) utilized some form of self-publishing.

So your manuscript is finally ready. You go through the steps required to turn it into an ebook and then a physical book. Are you finished?

HELL, NO. You are not even close to being done.

Now you must market this thing. You must network and promote. And lest I be misunderstood, let me clarify something here – when I speak of marketing and promoting, I mean you will spend months, maybe years, building a platform and maintaining it.

This process is not for cowards. It isn’t going to work for those who lack initiative, follow-through, or tenacity.

So – have some respect, please. The next time you speak with someone who just self-published a book, think about the tremendous amount of perseverance, hard work, and sheer heart that it took. Congratulate them on their huge accomplishment. Give that author a big old bear hug from me!

If you wish to have an opinion on the book, you will need to do one of two things:

1.) Go buy the book and read it.

2.) If you don’t want to buy the book, ask the author if you may receive a free copy in exchange for an honest review. I guarantee every single author will agree immediately. Now go home and read that book.

Finally, go to AmazonGoodreads, and B&N and review the book. Be kind but give them your honest opinion. These reviews are invaluable for several reasons. Remember I said anyone can publish and they do? This means that the market is glutted and one of the important ways that authors differentiate themselves is using reviews.

Yikes! I can hear everyone out there clamoring and shouting questions about the current state of book reviews.

 Are they trustworthy? Can one pay to get a review?

Answers:  I don’t know. Yes, I suspect so.

This is a topic for another post and I will table it for now and come back to it at a later time.

Let’s just focus on HONEST REVIEWS. If you can deliver them with clarity, honesty, and specificity, they can serve to help the writer better understand her readers. That is worth it’s weight in gold. If you have something to say that might seem a little harsh to just toss out there into the cyberworld, limber up your fingers and send that author a kind but honest review of his book. This is a kind and generous, and something that most people don’t take the time to do for writers.

Criticizing or diminishing the efforts of self-published writers weakens the industry. Instead, let’s take a positive approach. Encourage and applaud self-published authors. Review. Refuse to give anything but an honest review.

By the way, most of these principles also apply to indie artists who are trying to make their way. Let’s lend support and love to all creative people brave enough to put their work out there.

P.S. If you choose not to read the book, you only have one option. Kindly shut up about it until you have something informed and useful to say.

These gorgeous collage pieces were brought to you by one of Ink & Alchemy’s Featured Artists, the talented Emilia Elfe. Clicking any artwork will take you to her website.

As always, thanks for spending time with me. If you wanna hang out some more, visit my platform.

Geisha in hiding

Geisha in hiding

Submissions have ended.

The winner is Carin Cullen and this painting is now officially called “geisha in hiding”.

Congrats, Carin! Keep your eye on the post because I’ll be sending off your prize package on Monday. It’s already packed and I think you’re gonna like it!

There were so many terrific entries that it was difficult to choose. We’ll do this again soon – thanks for participating.